Monday, October 31, 2011

The 50 Scariest Movies of All Time

As a Halloween treat today I want to highlight film critic Glenn Kenny's list of "The 50 Scariest Movies of All Time" that was posted to MSN.com as a photo slideshow.

Normally I'm a bit dismissive of lists like this, but from the start at #50, you'll see why I'm sharing it here. Whereas most "top X of all time" lists seem to be written by people with memories that cover only the past 15 or 20 years, Kenny does review the whole gamut of horror cinema with his list. Universal and Hammer horror, Mario Bava, Georges Franju, J-horror, Nosferatu, Coffin Joe, Herschell Gordon Lewis, and even Dreyer's Vampyr -- I can't fault a list with entries like these. On his blog he confesses to the one film he forgot and left out. Crucial to the success of this list is the overriding philosophy that "scary" does not automatically mean bloody slasher violence. Much more often it is the threat, or the unseen threat lurking, left to the imagination, that can cause real terror in the aisles.

Any others that he left out of the list? What are your favorites?
To give you an idea of the range of the audience MSN Movies is addressing, I'm told that the gallery got something like 20 million page views first day up. Any day I can possibly get 20 million people interested in Mario Bava and Jose Mojica Marins isn't a bad one. -- Glenn Kenny

Thursday, October 27, 2011

Free DriveThruRPG treats (and tricks) for Halloween

Just saw the post on Stargazer's World about the 13 Halloween freebies available at DriveThruRPG. Click around the site for hidden pumpkins and find a random treat (or trick!). Plenty of horror-themed goodies among the list of found items so far.

Monday, October 24, 2011

Different cover art for Destroy All Monsters

Why does Mothra get top billing?
An interesting story about the cover art for Media Blasters' DVD and Blu-ray re-issue of Destroy All Monsters can be found at Sci-Fi Japan. The cover that was released for distributors -- and is still in use on Amazon -- is a temp cover. The actual cover is the original 1968 Japanese poster art. Good news! For comparison, the US poster from AIP is at the left.

The original soundtrack CD is out November 8th.

Friday, October 21, 2011

Brainstorming a list of game management ideas

The following are the total contents of a Word file titled "General Game Ideas" from my RPG folder. The file is dated New Year's Eve, 2006. I think I just started free-typing and this was the result: 
  • Get agreement from the group (vote?) concerning character danger/death
  • Character background as ~3 Hooks
  • Request for “what the player considers a good role-playing experience”
  •  Request for “what the player wants for his/her character”
  • Request for “what sorts of events and encounters the player wants in the game”.
  • Request for “what sorts of events the player doesn't want to see.”
  • Have two or three scenarios prepared before each session.  Tell players that they can go anywhere, but if they go too far on a tangent, then ask for time to prepare.
  • Create 10-20 cool set pieces or locations that come immediately to mind in the campaign world.
  • For the beginning of the game:
    • Have the players point to a spot on a map to begin.
    • Have the players decide how they want to begin.

Tuesday, October 18, 2011

Film critic David Edelstein subbing this week on Turner Classic Movies

On my short list of dream jobs, one near the top is introducing the movies on TCM (or perhaps writing the introductions). Read David Edelstein's short blog post about substituting for Robert Osborne this week -- a week that includes four horror movies that shaped his life -- here.

Monday, October 17, 2011

It's official: Criterion Godzilla

The Criterion Collection made their official January title announcements on Friday, and among all the great films listed is the 1954 original Gojira, also known as Godzilla, King of the Monsters. It appears that it will be a hi-def digital restoration from one of Toho's interpositive prints.  Long rumored for years, and often times thought to be wishful fan thinking, this DVD and Blu-ray release is the more important of two recent kaiju events, the other being the possibility of getting the AIP audio track for Destroy All Monsters.

Check out the product page for more detail on the specs. The U.S. version is confirmed as an extra. Criterion is creating a new hi-def transfer of Godzilla from a 35mm fine-grain print in the hands of a collector, and it should look like an entirely different film compared to the poor-quality video transfer that has been used for years. More information about that is on August Ragone's blog.

It's great to see Ishiro Honda take his place among other great Japanese directors like Kurosawa, Ozu, Oshima and Suzuki in the Collection.

Thursday, October 13, 2011

More upcoming British horror films on DVD

Peter Sasdy was born in Budapest, but made his career as a film and TV director in England -- notably with three films for Hammer: Taste the Blood of Dracula, Hands of the Ripper, and Countess Dracula with Ingrid Pitt. After these, he hit his stride as a director of thrillers, including Nothing but the Night in 1973.

Going into the 1970s, it was clear that the glory days of Hammer were past, and several members of that community were looking for new opportunities. Christopher Lee formed his own production company, Charlemagne Productions, with producer Anthony Nelson-Keys, in the hopes of creating interesting science-fiction and horror films with intelligent scripts. Charlemagne's first -- and only -- film, Nothing but the Night, teams Lee with his long-time friend Peter Cushing and Diana Dors in a thriller about possessed children on a remote island. It's finally out on DVD next week from Scorpion Releasing. Extras include a trailer and liner notes by Cushing biographer Christopher Gullo.

Countess Dracula has previously been available on an MGM Midnite Movies double-feature disc with the other Ingrid Pitt vampire film, The Vampire Lovers. Synapse Films is currently in the middle of releasing several Hammer films as Blu-ray/DVD combo packs, and plans to offer Countess Dracula next year after finishing Twins of Evil and Hands of the Ripper.

Monday, October 03, 2011

Upcoming Godzilla DVDs (and Blu-ray)

Now that October is here, the season of monsters, I thought I better post some DVD release news that I've been sitting on for weeks, before it's no longer news. I've mentioned these before, and now it's official with pre-orders and release dates.


Destroy All Monsters is getting a DVD re-release and its first Blu-ray release on October 25th from Media Blasters. This is great news, as MB has done terrific work on a host of Toho kaiju and sci-fi flicks in their Tokyo Shock line, including The Mysterians, Matango, Latitude Zero and many others. It was previously released on DVD by the now defunct anime label ADV Films. I have read elsewhere that the cover art MB chose was used on a Japanese DVD of Ghidorah The Three-Headed Monster.

A commentary track by kaiju experts Steve Ryfle and Ed Godziszewski appears to be just the starting point for the extra supplements on this disc. Some cryptic posts on Media Blaster's Facebook page has lead many to believe that one of the two English dubs on the disc will be the superior American International Pictures audio track done by Titra Studios. An official release with the AIP track has been a Holy Grail for kaiju fans.

The real surprise is the Media Blasters' release of Godzilla vs. Megalon on DVD and Blu on November 22nd. This was a staple of discount store tape bins in the VHS era, and it seemed unlikely that a company would want to license it for an official release. The terrible public domain prints released on tape damaged Megalon's reputation over the years. It's not a Destroy All Monsters; however, there are some neat things happening in this underrated movie, especially the robot Jet Jaguar. I'm excited about finally seeing the original Japanese version of this childhood classic.

Friday, September 30, 2011

The witching season

Fall is here, and tomorrow the first day of October. As a kid, I wasn't a big fan of the fall season. It meant that summer vacation was over and it was time to go back to school. It would feel like such a long time between the start of class and Christmas vacation. What I looked forward to most was October, because that meant Halloween. Not because of the candy -- we never really went door-to-door except for people my parents knew, and usually only to the candy giveaway at the mall (where Radio Shack would give out batteries).
 
What was really fun about Halloween to me was on TV -- Halloween specials like It's the Great Pumpkin, Charlie Brown and monster movies. It also wasn't just one night, or a week. I remember Halloween-themed shows throughout the month. Back at the time when there were only three or four networks, a few local stations and a handful of cable channels, October was a time when many stations would roll out more monster films than usual and have them on earlier than the normal late night time slots. It was a chance to see nearly-forgotten classics or new (to you) favorites.
 
It's great to have the near-instantaneous access to a particular film we enjoy today -- and I wouldn't want to give that up -- but there was also something very special about having to wait until a movie was shown on your local UHF station at 1 in the morning on a school night because "you might not ever see it again". Back then, it was an event, the magic of light and shadow on a flickering TV screen.

Thursday, September 22, 2011

Out-of-print DVDs through the Warner Archive

One of the new releases from the Warner Archive made-on-demand DVD program last week was the Hammer "space western", Moon Zero Two. In addition to having another Hammer film available, this is also significant because it had been previously released on DVD several years ago, on a Warner Sci-Fi Double Feature disc along with the Hammer prehistoric epic When Dinosaurs Ruled the Earth. This DVD went out-of-print quickly, presumably because of an incorrect rating.

The set of new releases for this week include several more Warner Brothers titles that had been previously released on DVD, including more from the Warner Sci-Fi collection. A few weeks back Akira Kurosawa's Dreams went up on the Archive.

It appears that WB is moving toward using the Archive as a way to re-release catalog DVD titles that have gone out-of-print. With any luck, that means we'll see Dinosaurs... on disc again. It's too bad that they aren't being given a regular DVD release, but the made-on-demand discs are so much better than not being available at all.

Thursday, September 08, 2011

IRL

September is shaping up to be more busy than I had expected. Updates will be sporadic for the short term at least.
 
On today's date in 1966 Star Trek first premiered on NBC. The 45th anniversary is deserving of its own posting here at some point.
 
The teaser photo from last Friday was for Criterion's as-yet-unannounced disc of Gojira, a Holy Grail for kaiju film fans. A 35mm fine-grain print of the U.S. version (Godzilla, King of the Monsters) has been located so it appears that the U.S. Godzilla will be included. More details can be found at August Ragone's blog here and here.
 
 

Friday, September 02, 2011

Criterion


Because this is the start of the holiday weekend, I'll just leave this photo here as a teaser. I plan to write more about this and some other news next week.

Thursday, September 01, 2011

A call to post about your geeky hobbies

The start of the semester has kept us hopping here at the Kaiju Lair, so I haven't been able to post at all this week. Even so, I wanted to point out this call for bloggers from author and game designer Monica Valentinelli. In reaction to some negative perceptions of gamers recently, she's suggesting that bloggers write passionately and positively about the hobbies they love during one week in September. From her site:
Here’s what I propose:
SPEAK OUT WITH YOUR GEEK OUT
Sometime during the week of Monday, September 12th to Friday, September 16th post about what geeky hobby you love. Then, tell us why we should try it, too. Leave your fears (and edition wars) at the door. Forget about your latest rant. Tap into that well of positive energy and share in the excitement of all things geek.
Let us invite those who would stereotype us to sit at our table and share our interests.
Should be easy for the gaming blog community. Originally this was proposed just for girl geeks, but it was suggested that it be more inclusive. Let everyone raise their geek flag high!

Thursday, August 25, 2011

My GM Merit Badges

I didn't take up the Better GM Challenge posted at the Hill Cantons blog, mostly because I'm still trying to figure it out some best practices for myself. Every campaign I run could be considered an experiment in technique, trying to build on past successes to run the best game possible.

On the other hand, the excellent set of GM merit badges that Stuart at Strange Magic made are great shorthand symbols, and I think I can easily put together a set that represents my own GMing style -- or at least what I aspire to when I run.


  • My games will tell an interesting Story. It may not be the story I intend to tell, but it's the one I hope the players want to be in.
  • My games will be Scary -- or at least I try. I usually sneak in Lovecraftian things-man-was-not-meant-to-know whenever I can, even outside of Call of Cthulhu games.
  • My games focus on Exploration & Mystery. I enjoy setting up places for the PCs to explore and mysteries for them to solve.
  • I will Mirror back player ideas I think are interesting in the game. I am very open to player input, and I try my best to encourage players to add to the narrative, whether that means describing attacks in detail, monologuing, embellishing the current scene or adding NPCs and places to the world.
  • The GM is In Charge and "Rule Zero" is in effect. For this, what I mean is that I reserve the right to ignore the rules as written, but only if it's for the overall fun of the group. If it seems like a rule will prevent a PC from doing something awesome, that rule is getting in the way of the fun. I also hope that I have the trust of the players to know that I make decisions as fairly as possible -- most of the time in their favor.
  • My games use a pre-made Map and pre-scripted content. I like to have locations and scenes planned in advance like movie set-pieces whenever possible, and plan and follow a loose flowchart for the overall campaign storyline. These could be invented or from published material. Which leads into the seemingly contradictory badge...
  • My games rely on a lot of Improvisation rather than pre-scripted content. I like to throw out several plot threads and let the players pull on whichever ones they like. Because of this, I'm trying to plan more loosely and take a more improvisational approach to let them roam where they wish.
  • My games focus on interesting Characters and Drama. I try to populate the game world with NPCs that will be interesting for the PCs to meet, ally with, plan against, fight, and sometimes exist just for background and local color. I hope that these interactions create strong connections that will then lead to conflict and drama.
I wouldn't say that this is locked in, and would vary depending on the system, the setting and the group's own play style. If I am running Call of Cthulhu or a distinctly horror-related setting, I'd add the Run! badge.

Thanks to Stuart for a cool idea!

Tuesday, August 23, 2011

Jimmy Sangster, RIP

Producer, screenwriter and director Jimmy Sangster passed away on Friday. He was 83. His scripts for both Curse of Frankenstein and Dracula (Horror of Dracula in the U.S.) were absolutely essential for the rise of the Hammer Horror aesthetic.

This almost wasn't the case. In Sangster's version of the story, he was approached to write the script for Curse after suggesting several ideas for the studio, even though he wasn't going to be paid for it beyond his role as production manager. After the success of Curse he wrote the script for Dracula, The Mummy, and several other early horror classics for Hammer. In the Seventies, he wrote Hammer's remake of Curse starring Ralph Bates, The Horror of Frankenstein, but only on the condition that he could direct. His main interest was always with psychological and crime thrillers; he also produced most of those scripts including two films with Bette Davis, and directed Fear in the Night with Joan Collins.

He later wrote for U.S. television, including The Night Stalker, Ghost Story, The Six Million Dollar Man and Wonder Woman.

Sangster was one of the last major creative crewmembers from the "golden age" of Hammer Horror. Most recently, director Roy Ward Baker passed away last year.

Read horror media expert Kim Newman's excellent obit for Sangster here.

Saturday, August 20, 2011

121 Years of Howard Philips Lovecraft

I am Providence.
As Conan Week 2011 draws to a close, it's fitting to take time to remember another of the "triumvirate" of Weird Tales, H.P. Lovecraft, who was born 121 years ago today. His reputation stands as a close second to Edgar Allan Poe among American writers of horror, the supernatural and the macabre.

Today, his form of "Yog-Sotherey" -- what we today call the Cthulhu Mythos -- has become a prevalent form of horror for books, movies, games, even plush Cthulhus and other toys. It's a well-known fan meme. Ken Hite has suggested that all of this absorption into fan culture proves that Cthulhu and his otherworldly ilk are iconic figures, like Superman.

What is Lovecraft's lasting legacy? Others on the 'net have expressed this in a more erudite form than I could. I believe it is not only his own brand of "cosmic horror", the idea that there are things in the universe so completely strange and alien to us that our fragile minds cannot fathom them, not only the idea that humans are as insignificant to them as an insect might be to us, but the true message is that human beings are fully capable of reaching those same heights of inhumanity. I often wonder what H.P. would have thought had he lived to see the scale of atrocities during the 20th century.

Friday, August 19, 2011

Issues with the Conan Chronology

With a few exceptions, Howard didn't write about most of his characters in chronological order. He wrote the Conan series of stories as the ideas presented themselves, much in the same way as someone would tell yarns around the fire: "...and that story reminds me of the time that..."

The first Conan story to be written and to see publication was a tale of Conan as King of Aquilonia, "The Phoenix on the Sword", which is in fact itself is a re-working of the Kull story "By This Axe I Rule!". Howard started writing Conan at a point near the end of the character's career. As Howard wrote and published more Conan yarns, the settings and Conan's age and career would change -- king, pirate, mercenary, adventurer, thief.

In early 1936, Howard received a letter from P. Schuyler Miller, a fan praising the Conan stories and presenting his own ideas about the order of Conan's adventures.  In Howard's reply, his pleasure at Miller's enthusiasm over the stories can be felt. He suggested that the outline was "pretty close" and offered other suggestions. Miller and fellow fan John D. Clark compiled and published a new chronology later that year. If I remember correctly, Howard didn't make notes for himself about the chronology of Conan's exploits, at least none that are known to survive. He surely thought about it as he wrote, but the letter back to Miller is the only known affirmation by him about a possible order.

Howard doesn't reveal many details about Conan's early life in his stories. Conan was born on a battlefield (literally or metaphorically?); in his youth he broke the neck of a Cimmerian bull; by 15 years of age his exploits were talked about around the council fires; and he fought at the siege of Venarium. These milestones all take place before the events in the stories proper.

The problem with the Miller/Clark timeline is that not all of the Conan stories had seen print yet. There were more submitted but not yet published, still others that were not chosen for publication, and also various fragments and synopses.

In the 1950s and 1960s, when L.Sprauge de Camp and Lin Carter began to compile first the Gnome Press edtions and later the Lancer editions, they had access to these unpublished and unfinished works. As part of their editing and compiling process, de Camp, Carter, and Bjorn Nyberg finished the fragments, re-worked tales of other Howard heroes (for example, the long version of the El Borak tale "Three-Bladed Doom" was re-fashioned by de Camp into the Conan story "The Flame Knife"), and worked in their own stories to create a chronology that fit the material on hand. By finishing fragments and working in their own original stories, it also strengthened their claim of rights over the Conan works. This official timeline would be used for many years, eventually incorporating the various pastiche novels as they were published.

In 2003 Howard scholar Dale Rippke proposed his own version of a Conan chronology, meticulously going over only the stories and fragments written by Bob Howard, and using the clues therein to piece together a coherent structure. It has the benefit of incorporating many stories that Miller did not know about, and the objective view of only using those tales by REH. Trying to form a complete, concrete chronology is a difficult task. Rippke's textual evidence convinces me that his makes the most sense. Many other Howard fans must agree, as it was his chronology that has been used by Dark Horse for the comic series and appears to be the de facto "official" timeline adopted by Conan Properties.

***

Many fans enjoy having the object of their interests codified and explained. This can be seen going back to the first Star Trek fan projects like Enterprise bridge blueprints ("every function of every button explained") and technical manuals, through to books such as The Dictionary of Imaginary Places, or The Atlas of Middle-Earth, and now today with sites like the Harry Potter Wiki. Fans enjoy knowing how things in the stories work and in what order their favorite characters' adventures take place. It also brings those places and people to life, and lets one imagine everyday life there.
"Any world-creator in a fantasy role-playing game setting can tell you about the hours/days/weeks spent building a working fantasy universe; immersing one's self in minutia and fine tuning the whole thing. There comes a point when the "Created-world" takes on a kind on life inside one's head. You are able to describe any part of it as if you had actually been there and experienced it. The whole thing transcends its origins and becomes (from a purely mental standpoint) a real place.

Every sense I get from reading Howard's Conan stories informs me that he experienced something very similar from his creation of the Hyborian Age world. He mentally lived in this place when creating and writing his Conan stories. Perhaps it was part of his putting on a persona as many authors do. All I can tell you is that he wrote these stories like he believed it. And, as any damned fine author does, he makes you believe as well." -- Dale Rippke, The Dark Storm Conan Chronology.

Thursday, August 18, 2011

Howardian Movies without Howard Characters

Here's a short list of films that I feel exude the same sort of mood, atmosphere or style that you might find when reading a Robert E. Howard story:
What others did I miss?

Wednesday, August 17, 2011

Conan the Destroyer: A Re-Appraisal


My Conan Week post for today isn't quite ready for public consumption yet, so this is a on-topic re-post originally from last year. This week's theme might stretch into the weekend...

Several months ago, I had the chance to watch Conan the Destroyer again for the first time in quite a while. For years this film had the reputation of being "The D&D Movie". The title fits -- a motley group of adventurers are brought together for an epic journey...under false pretenses and with a stinging betrayal.

I know, I know, it's not Shakespeare. It's not even proper Howard, but it's fun. And it's all we had in 1984.

Even though it's less about Howard's Conan than even the first movie, there are still many things to like about it. Roy Thomas's involvement with the original story lead to the comic-book feel of the movie, even if he was disappointed with the final product. I'm not sure what to make of Richard Fleischer's work on the movie. He directed such great films as Tora! Tora! Tora!, 20,000 Leagues Under the Sea, and Soylent Green. I think more of the blame should go to the script.

One of my biggest disappointments with the movie is the score. Surprisingly, because the composer, Basil Poledouris, created one of the all-time best motion picture scores for the first Conan film. Some of those same cues are reused here, and the new music is rather pedestrian.

Despite its flaws as a whole, there are so many things to like about the movie. During this last viewing, I made some notes on the bits that I love, and the classic fantasy tropes that are used through the film:
  • A thief counting his coins
  • Soldiers "sneaking" up on our hero
  • A leaping backstab
  • Conan punches-out a horse, Mongo-style
  • A sorceress-queen who hires our hero for a quest
  • A fortress-city on a mountain
  • Evil-looking warlocks reading golden tablets
  • "Dagoth, the Dreaming God"
  • The Scrolls of Skelos
  • A prophecy of a virgin sacrifice
  • The threat of death/treachery
  • Rows of giant statues
  • The Queen's Guard following behind
  • Cannibal tribesmen
  • Decapitations
  • Gladiator pit fights
  • A crystal castle on a misty mountain lake
  • A wizard transforms into a bird of smoke
  • An impenetrable door with the only entrance being underwater
  • An enormous spiral stone staircase (this and the underwater entrance are my favorite scenes in the movie)
  • A hall of mirrors
  • "Out!!"
  • A sword fight on horseback
  • An ancient tomb in the desert (this entire sequence is another great scene)
  • Akiro nonchalantly lighting a torch with magic
  • Zula afraid of...a rat
  • Some really brutal swordplay against hordes of bad guys
  • A magical wizard duel
  • A secret entrance to the city behind a waterfall (my second favorite scene)
  • An arcane magical ritual
  • Sneaking in to stop the ritual
  • A giant Cthulhu Mythos beast (designed by Carlo Rambaldi, who won Oscars for E.T, Alien, and King Kong)
  • Conan tearing the magic artifact horn out of the monster's head and throwing it away with a priceless superstitious look
  • The new queen handing out rewards to the group

Tuesday, August 16, 2011

The Whole Wide World (1996): the forgotten Conan/Howard film

The Whole Wide World is not a Conan movie, but it is the Robert E. Howard movie. The marketing may have suggested to many that this was just another "chick flick", but it is much more than that. This romantic drama is chiefly based on the book One Who Walked Alone, the memoir of Howard by Novalyne Price Ellis, who was friends with and briefly dated Howard in the mid-1930s. Screenwriter Michael Scott Myers and director Dan Ireland worked closely with Mrs. Ellis to tell her side of their story.

We see the relationship distinctly from Novalyne's point of view, however it's still a great look into the thoughts and writing style of Howard. It's not completely accurate, and it is a dramatization. Even so, it's a pleasure to see these real-life characters brought to the screen.

Beyond the fun of watching a pulp legend portrayed on film -- shouting out the dialogue while typing a story, or passionately describing the history rooted in West Texas -- we also have the emotional connection to these characters and we feel the joys and sorrows of their relationship. TWWW is a great true story about this doomed relationship, told in a very real, well done and convincing way.

Could Novalyne have saved Bob Howard? Perhaps if the social conventions of the time were different, or if their obligations to others hadn't kept them apart. It's a heartbreaking look into the inevitable demise of a relationship between two different people who shared one passion: writing.

Vincent D'Onofrio shines in this film. He rarely disappoints in his acting roles and in TWWW he is so convincing as Howard. I can only guess what he was like based on written accounts by those who knew him. Having watched this film several times, it's easy for me to imagine Bob Howard as D'Onofrio portrayed him.

Rene Zellweger is fine as Novalyne. Her upbringing in Texas probably contributed to her performance. Unfortunately for me, I always see her as "Rene Zellweger" instead of the character she is playing, but that's just me. Zellweger and D'Onofrio have an uneasy chemistry on screen that does fit with the characters.

Zellweger's performance in this was overshadowed by the other little film she was in that year, Jerry McGuire. When she won the Oscar in 2004 for her performance in Cold Mountain, she thanked D'Onofrio for "teaching [her] how to work."

If you haven't seen TWWW, you've been missing a real treat.

Howard describes Conan from 1:04 to 2:30. The look on Novalyne's face is priceless.